Rezaei and Schlomowitz work closely together in the creation of Six Scenes, with a back-and-forth exchange of recordings, emails, and video calls. Schlomowitz sends snippets of orchestral music, and Rezaei improvises on her deck: "Sometimes, turntablists tend to have a very strict idea of how things should sound, but I think that once you start to embrace chance, things get really interesting – dealing with the unknown, that takes some real guts." Initially, the material is a mishmash of illogical and absurd inspirations, but it all comes together when the duo gathers in Newcastle for a three-day working session.

Driven by her keen sense of experimentation, Rezaei's input is significant to the writing process:

"Writing for the turntable is not about pleasing others. It's about succeeding with something new and ambitious using a young instrument. So, I fully embrace experimenting with sound in every possible way. I think sometimes people's hesitations come down to fear of the unknown. You can choose to be scared or to be excited."

Discover how Rezaei's experiment and a meticulous orchestral score come together on November 16 at Concertgebouw Bruges and on November 17 at DeSingel, Antwerp.

[read the full interview]